Where Are You Taking Us Next?

June 23 – July 18, 2026. Exhibit of recent work at Pictor Gallery, 547 W. 27th Street, NYC.

These recent paintings, all done during the spring of 2026, reflect my impressions of the immediacy and intensity of New Zealand’s natural beauty and deep spirituality. The Māori name for New Zealand, Aotearoa, can be translated into English as “the land of the long white cloud.” The wide expansive of vault of the island sky in Aotearoa leaves ample space for clouds and breezes to stretch out…the clouds are indeed startlingly long. Instead of the North Atlantic puffy cumulus clouds that appear over the Jersey shore; these clouds, white as well as almost every other hue under the sun, looked like long, expressive gestural brushstrokes of paint.

The visual counterpoints to the dramatic figuration in the sky are the mountain peaks, furrowed hills, and rugged coastal rocks. It is small wonder that many of the Māori myths feature the sea, clouds and mountains as lovers, siblings, and rivals in passionate origin stories of the landscapes that form this incredible country.

More than anything else, I felt the reverence the New Zealanders feel for the beauty and abundance of their country, honored in the calm and compassionate way they treat their surroundings and each other.

I am so grateful to have been able to spend time with the people, wildlife, and surroundings of Aotearoa New Zealand, and look forward to many more colorful encounters.

Kind of Blue: cloudscapes

by Linda Ganus Albulescu

Linda Ganus Albulescu

ARTIST STATEMENT:

Recently, I’ve become immersed in painting land-, sea- and skyscapes, exploring the ways in which they can both stand in for/hold space for the human body, for our exteriors and interiors. I feel a great emotional resonance and concordance with music while painting these spaces; trying to capture the temporal instabilities of visual and harmonic shifts. Based on both observations and imagination, the gestural marks and manipulated color notes of the works can act synesthetically to express the ways in which we experience the world around us, and as chromatic keys to unlock our memories and stimulate our emotions.

My work owes a debt to many past and present masters of representational art, although it is the result of a search for a modern and personal response to those masters and their traditions. The imagery in my work is usually recognizable and taken from everyday life and observation; at the same time, it is often framed in unexpected ways.

Linda Ganus Albulescu exhibits regularly in the NYC area and is a member of Pictor Gallery in Chelsea. She holds an MFA from Vermont College of Fine Arts, an MA in History from Lehigh University, and a B. Mus in Flute Performance from the University of Michigan. Engaged with our relationship to Nature as well as the nature of our relationships, her work delves into the sublime and the uncanny through a variety of media: drawing, painting, photography, video, music, and sound. Linda has done commissioned work in all media. Please contact her at the following email:

lindacarolganus@gmail.com

Jabberwocky

part of “Beauties and Beasts,” a group show currently at Pleiades Gallery, 530 W. 25th St., New York, NY. November 23 – Dec. 21, 2019.

A meditation on Lewis Carroll’s/John Tenniel’s iconic illustrated poem, “Jabberwocky.”

The slayer is a girl. The slayer is Alice. The slayer is all of us.

 

(meta)Forest/Abstract Reflections

Linda Ganus Albulescu & Eugene Albulescu

Pleiades Gallery: two solo exhibitions

multimedia works (photography, video, drawing and painting)

meditations on lightwaves, sound waves, and memory.

530 W. 25th St #406, New York, NY. 10001  Gallery Hours: Tue – Sat, 11 – 6

May 14 – June 8 2019  •  reception May 18 from 3 – 6

GANUS ALBULESCU POSTCARD

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She Rimes

Here is a video link to my fantasy-meditation on Coleridge’s “Rime of the Ancient Mariner.” premiered in July 2018 at both the New York Studio School in NYC and the Nurture Nature Center in Easton, PA.